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CHAPTER XXXIV UP UP CHAPTER XXXVI CHAPTER XXXV The Winter at Queen s 第35章 クィーン学院の冬（松本訳） Anne s homesickness wore off, 「wore off」wear off 擦り減らす、徐々になくす／なくなる greatly helped in the wearing by her weekend visits home. 「the wearing by her weekend visits home」名詞のwearingは、疲労／消耗、うんざり； Webster Dictionary, 1913（onelook経由）では、The act of one who wears; the manner in which a thing wears; use; conduct; consumption. ちょっとわかりづらいのですが、「週末いつも帰省したこと」という感じでしょうか。たぶん、すぐ前の wore off と合わせるために、モードは wearing を使ったのでしょう As long as the open weather lasted the Avonlea students went out to Carmody on the new branch railway every Friday night. Diana and several other Avonlea young folks were generally on hand to meet them and they all walked over to Avonlea in a merry party. Anne thought those Friday evening gypsyings over the autumnal hills in the crisp golden air, with the homelights of Avonlea twinkling beyond, were the best and dearest hours in the whole week. Gilbert Blythe nearly always walked with Ruby Gillis and carried her satchel for her. Ruby was a very handsome young lady, now thinking herself quite as grown up as she really was; she wore her skirts as long as her mother would let her and did her hair up in town, though she had to take it down when she went home. She had large, bright-blue eyes, a brilliant complexion, and a plump showy figure. 「plump」辞書には、丸々と太った、ふっくらとした、とあります。あとででてくるように、ルビーは学院一の美人というほどの魅力があるので、丸々と太ったというよりは、ふくよかな、という感じでしょう。思春期の女の子はふっくらするし、箸がころげてもおかしい、というの感じの人も多いので（プリンスエドワード島では箸は使わないでしょうけど） She laughed a great deal, was cheerful and good-tempered, and enjoyed the pleasant things of life frankly. "But I shouldn t think she was the sort of girl Gilbert would like," whispered Jane to Anne. ジェーンには、ルビーはギルバートの好みじゃない、と言わせ…… Anne did not think so either, but she would not have said so for the Avery scholarship. She could not help thinking, too, that it would be very pleasant to have such a friend as Gilbert to jest and chatter with and exchange ideas about books and studies and ambitions. 「books and studies and ambitions」下との対比 Gilbert had ambitions, she knew, and Ruby Gillis did not seem the sort of person with whom such could be profitably discussed. There was no silly sentiment in Anne s ideas concerning Gilbert. Boys were to her, when she thought about them at all, merely possible good comrades. If she and Gilbert had been friends she would not have cared how many other friends he had nor with whom he walked. She had a genius for friendship; 「a genius for friendship」アヴォンリーでもそうでした。CHAPTER XVII with impression? A New Interest in Life では、 Anne was welcomed back to school with open arms... と「登校拒否」後の学校では大歓迎されるし、CHAPTER XXIII with impression]] Anne Comes to Grief in an Affair of Honor では、足首を折ってしまったことで、Everybody has been so good and kind, Marilla （中略） You find out how many friends you have... とアンは言ってるくらいなので girl friends she had in plenty; but she had a vague consciousness that masculine friendship might also be a good thing to round out one s conceptions of companionship and furnish broader standpoints of judgment and comparison. Not that Anne could have put her feelings on the matter into just such clear definition. But she thought that if Gilbert had ever walked home with her from the train, over the crisp fields and along the ferny byways, they might have had many and merry and interesting conversations about the new world that was opening around them and their hopes and ambitions therein. Gilbert was a clever young fellow, with his own thoughts about things and a determination to get the best out of life and put the best into it. 「get the best out of life and put the best into it」 get ～ out of ……、put ～ into …… と対比。最良のものを取り出して、最良のものを入れるんだったら、同じものを出し入れするだけじゃん、というワケのわからん突っ込みはしないこと Ruby Gillis told Jane Andrews that she didn t understand half the things Gilbert Blythe said; he talked just like Anne Shirley did when she had a thoughtful fit on and for her part she didn t think it any fun to be bothering about books and that sort of thing when you didn t have to. 「just like Anne Shirley」 アンとギルバートが似ているとルビーに言わせ、読者をにやっとさせようとしている 「books and that sort of thing when you didn t have to」 これは上に出てきた books and studies and ambitions と対比させられているところ。ここで、ルビーはギルバートには合わないとルビー自身に言わせているようなもの。とはいえ、読者にはここまでしつこく言わなくてもわかるのではないかと思うのですが…… Frank Stockley had lots more dash and go, but then he wasn t half as good-looking as Gilbert and she really couldn t decide which she liked best! In the Academy Anne gradually drew a little circle of friends about her, thoughtful, imaginative, ambitious students like herself. With the "rose-red" girl, Stella Maynard, and the "dream girl," Priscilla Grant, she soon became intimate, finding the latter pale spiritual-looking maiden to be full to the brim of mischief and pranks and fun, while the vivid, black-eyed Stella had a heartful of wistful dreams and fancies, as aerial and rainbow-like as Anne s own. 「rainbow-like」 ミス・バリーもアンのことを虹のようと言うのが後に出てくる After the Christmas holidays the Avonlea students gave up going home on Fridays and settled down to hard work. By this time all the Queen s scholars had gravitated into their own places in the ranks and the various classes had assumed distinct and settled shadings of individuality. 第１文は別モノ（このパラグラフの内容にとってはオマケ：物語にとっては重要ではありますが）。第２文が、このパラグラフと次のパラグラフのサマリを表わす文となっています。つまり、 「all the Queen s scholars had gravitated into their own places in the ranks」は、成績のランクが固定してきたことという勉学（メダルやエイヴリー奨学金）についての話がこのパラグラフで説明されることをサマライズし、「the various classes had assumed distinct and settled shadings of individuality」は、それぞれの class で、（ある意味）得意な人が目立つようになったことが次のパラグラフで内容は紹介されることをサマライズしていると思います 「shadings」 色合い。文脈によっては陰影と訳すほうがいいこともあると思いますが、ここでは谷崎のような陰影ではなく、明るい感じの色合いと考えるほうがいい Certain facts had become generally accepted. It was admitted that the medal contestants had practically narrowed down to three--Gilbert Blythe, Anne Shirley, and Lewis Wilson; the Avery scholarship was more doubtful, any one of a certain six being a possible winner. The bronze medal for mathematics was considered as good as won by a fat, funny little up-country boy with a bumpy forehead and a patched coat. 「bronze medal」 数学はどうして銅メダルなんでしょう。う～む……。The medal の色は書いてはありませんが Ruby Gillis was the handsomest girl of the year at the Academy; in the Second Year classes Stella Maynard carried off the palm for beauty, 「the Second Year classes」 これはわかりづらい。ここだけ読むと単に２年目のクラス、第２年目の学年のように読めてしまう。もちろん前章での説明があるから、いいのですが（あまりよくないかも）。classesと複数なので、ここは、本当の２年目の人たち（松本訳の第二課程を終えたクィーン在籍２年目の人）とアンたちの the Second Year work を履修する在籍１年目の人の両方ではないかと思うのですが、よくわからない。もしかしたら、the Second Year workを履修すると、複数の classes （＝ 学課）があるので、在籍１年目のひとだけを指してはいるけれども複数形の classes なのかも with small but critical minority in favor of Anne Shirley. Ethel Marr was admitted by all competent judges to have the most stylish modes of hair-dressing, and Jane Andrews--plain, plodding, conscientious Jane--carried off the honors in the domestic science course. 「the domestic science course」 男子生徒諸君はやったんでしょうか Even Josie Pye attained a certain preeminence as the sharpest- tongued young lady in attendance at Queen s. So it may be fairly stated that Miss Stacy s old pupil s held their own in the wider arena of the academical course. 「Miss Stacy s old pupil」 チャーリーとムーディー・スパージョンは忘れられてしまった？？？ Anne worked hard and steadily. Her rivalry with Gilbert was as intense as it had ever been in Avonlea school, although it was not known in the class at large, but somehow the bitterness had gone out of it. Anne no longer wished to win for the sake of defeating Gilbert; rather, for the proud consciousness of a well-won victory over a worthy foeman. 「a worthy foeman」松本訳注第35章(1) p. 529参照 It would be worth while to win, but she no longer thought life would be insupportable if she did not. In spite of lessons the students found opportunities for pleasant times. Anne spent many of her spare hours at Beechwood and generally ate her Sunday dinners there and went to church with Miss Barry. The latter was, as she admitted, growing old, but her black eyes were not dim nor the vigor of her tongue in the least abated. But she never sharpened the latter on Anne, who continued to be a prime favorite with the critical old lady. "That Anne-girl improves all the time," she said. "I get tired of other girls--there is such a provoking and eternal sameness about them. Anne has as many shades as a rainbow and every shade is the prettiest while it lasts. 「shades」 さきの shading 同様に、色合い。または、魂、精神などといった、身体から発せられるモノ。今時の（ちょっとヘンな）言葉遣いなら、オーラとでもいうような感じ。Webster Dictionary, 1913（onelook経由）には、The soul after its separation from the body; -- so called because the ancients it to be perceptible to the sight, though not to the touch; a spirit; a ghost; as, the shades of departed heroes. との説明。色合い（や影）というだけではなく、アンの心／魂／精神が虹のように多彩で、それぞれが美しい、とミス・バリーはべたほめ I don t know that she is as amusing as she was when she was a child, but she makes me love her and I like people who make me love them. It saves me so much trouble in making myself love them." 「I like people who make me love them. It saves me so much trouble in making myself love them」 もちろん、リンド夫人は、この、them には含まれないでしょうね。なんてったって、And there are others, like Mrs. Lynde, that you have to try very hard to love. （CHAPTER XXII with impression? Anne is Invited Out to Tea）ですからねえ Then, almost before anybody realized it, spring had come; out in Avonlea the Mayflowers were peeping pinkly out on the sere barrens where snow-wreaths lingered; and the "mist of green" was on the woods and in the valleys. 「"mist of green"」松本訳注第35章(2) p. 529参照 But in Charlottetown harassed Queen s students thought and talked only of examinations. "It doesn t seem possible that the term is nearly over," said Anne. "Why, last fall it seemed so long to look forward to--a whole winter of studies and classes. And here we are, with the exams looming up next week. Girls, sometimes I feel as if those exams meant everything, but when I look at the big buds swelling on those chestnut trees and the misty blue air at the end of the streets they don t seem half so important." 「chestnut trees」 栗の木の描写はここしかない。シャーロットタウンは都会なので、栗林（畑）はクイーン学院の近くにはないと思うのですが、どこかに庭木として植えてあったのでしょうか。または、街路樹？ グーグルマップでシャーロットタウンを調べたら、Chestnut Streetという短かい通りがありました（300 mくらい：Euston Stのひと筋北側）。この通りは、Queen Street と何だか思わせぶりな名前の通りと交差しています。クイーン学院のモデルという当時の Prince of Walse College は、Kent Street にあり、現在は Holland College となっているそうです（http //www.upei.ca/pwc/ による）。Holland College の事務局は 305 Kent Street の Montgomery Hall（！）という建物にあります（http //www.hollandc.pe.ca/Admissions/index.htm）。ということで、Chestnut street と Queen Street との交差点から、Prince of Walse College まで行く道筋を眺めてみました。グーグルマップ でどうぞ。約1.1 kmです 松本侑子さんのモンゴメリの生涯を訪ねる旅（赤毛のアンの電子図書館の中のページ）http //homepage3.nifty.com/office-matsumoto/lmm_album.htm には、モードは、プリンスエドワード島州 州都シャーロットタウンのヒルズボロストリートに下宿したとあります。正確な住所がわからないのですが、写真の建物（家の前にはHillsbrorough St側にfront yardがある。左と奥にも建物がある。奥の家の手前には自動車が駐車できる）と一方通行の向きから見ると、Hillsbrorough St と King St の交差点のように思えます。そこで、ここから、Prince of Walse College まで行く道筋を眺めてみました。グーグルマップからどうぞ。約 0.8 kmです Jane and Ruby and Josie, who had dropped in, did not take this view of it. 「dropped in」アンの部屋は溜り場的な感じになっていた雰囲気がある To them the coming examinations were constantly very important indeed--far more important than chestnut buds or Maytime hazes. It was all very well for Anne, who was sure of passing at least, to have her moments of belittling them, but when your whole future depended on them--as the girls truly thought theirs did-- you could not regard them philosophically. "I ve lost seven pounds in the last two weeks," sighed Jane. 「seven pounds」１ポンド ＝ 16オンス ＝ 453.6 g。なので、７ポンドは約３ kg "It s no use to say don t worry. I WILL worry. 「I WILL worry」入学試験のときには、ジェーンは落ち着いている、とアンが感心していたのですが（I wish I had nerves like Jane Andrews. Nothing rattles her. CHAPTER XXXI with impression Where the Brook and River Meet）、やっぱり心配する人なんじゃない、と思ったり。尤も、ジェーンは、物語の後半になって頻繁に登場する（特におしゃべりが）ので、それまでの描写からはジェーンの気持ちまではわからないのは仕方ありませんが Worrying helps you some--it seems as if you were doing something when you re worrying. It would be dreadful if I failed to get my license after going to Queen s all winter and spending so much money." "_I_ don t care," said Josie Pye. "If I don t pass this year I m coming back next. My father can afford to send me. 「My father can afford to send me」 ジョージーの言葉に対する感想は置くとして……。これは、次章 CHAPTER XXXVI with impression The Glory and the Dream の伏線（His father can t afford to send him to college next year, after all, so he means to earn his own way through.） Anne, Frank Stockley says that Professor Tremaine said Gilbert Blythe was sure to get the medal and that Emily Clay would likely win the Avery scholarship." "That may make me feel badly tomorrow, Josie," laughed Anne, "but just now I honestly feel that as long as I know the violets are coming out all purple down in the hollow below Green Gables and that little ferns are poking their heads up in Lovers Lane, it s not a great deal of difference whether I win the Avery or not. I ve done my best and I begin to understand what is meant by the `joy of the strife. 「`joy of the strife 」松本訳注第35章(3) p. 530参照 Next to trying and winning, the best thing is trying and failing. Girls, don t talk about exams! Look at that arch of pale green sky over those houses and picture to yourself what it must look like over the purply-dark beech-woods back of Avonlea." 「over those houses」アヴォンリーなら家の上の空ではなく、「over the purply-dark beech-woods」。今はホームシックになっていないから、涙は出ない "What are you going to wear for commencement, Jane?" asked Ruby practically. Jane and Josie both answered at once and the chatter drifted into a side eddy of fashions. But Anne, with her elbows on the window sill, her soft cheek laid against her clasped hands, and her eyes filled with visions, looked out unheedingly across city roof and spire to that glorious dome of sunset sky and wove her dreams of a possible future from the golden tissue of youth s own optimism. 「spire」尖塔。シャーロットタウンの家には尖塔のあるものがかなりあるとか。いろいろなウェブページで写真が紹介されています All the Beyond was hers with its possibilities lurking rosily in the oncoming years-- 「the Beyond」the があって、大文字ではじまる Beyond。名詞の beyond には、1 something that lies beyond 2 something that lies outside the scope of ordinary experience; specifically Merriam-Webster Online Dictionary （onelook経由）の意味がある。英和辞典によっては、the beyond で、来世と訳をおくものもあったのですが、しっくり来ません。最後の immortal chaplet に合わせて、「あの世」を思わせる言葉が選ばれたのかもしれませんが each year a rose of promise to be woven into an immortal chaplet. 「immortal chaplet」 immortal：不死の、永久の、不朽の、神の。chaplet：（髪を飾る）花輪、［カトリック］小じゅず、いのり CHAPTER XXXIV UP UP CHAPTER XXXVI 04 August 2007 今日 - | 昨日 - | Total - since 04 August 2007 last update 2007-08-04 13 59 36 (Sat)
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【Tags Luka Owata-P tT T】 Original Music title トルエン English music title Toluene Romaji music title Toruen Music Lyrics written, Voice edited by オワタP (Owata-P) Music arranged by オワタP (Owata-P) Singer 巡音ルカ (Megurine Luka) This song is included in "Benzene" series. Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： [It s a tale of inhuman things driven mad by jealousy--. Welcome to the beginning of that. That which is born out of feigned sympathy--self-righteousness. That which arises out of envy--the feeling of jealousy.] [Toluene--methylbenzene, is an organic compound classified as an aromatic hydrocarbon. Its chemical formula is C6H5CH3, where a benzene has one of its hydrogen atoms replaced by a methyl group. Under room temperature, it is volatile and inflammable, so it s classified as a "Class 4, 1st kerosene" hazardous material (in Japan). Under the Japanese Poison Control Law, it s considered a hazardous substance.] [Since it is a type of poison, it s something that s originally not needed at all. That is, they will only keep losing everything they have-- their "self", others, and even their most precious self-respect-- They re nothing more than objects of people s ridicules. Recognized by no one, they make themselves slowly disintegrate--.] [Their "self", saturated with feigned sympathy and pretentious logics and ethics, only through condemning others...] Toluene. [A spontaneous destruction of their originally non-existent identity. C7H8] Toluene. [They have never had a true "self". They were not humans, but merely creatures called "Homo sapiens". ] Toluene. [They re neither recognized nor able to become aware of themselves. In the end, there s nothing left for them--.] Toluene. Toluene. Toluene. [Everything is just bluff. Life is filled with nothing but utter defeats.] ***** ***** ***** ***** ***** ***** ***** *** Toluene. [They re imposters after all. They are creatures who know nothing of true wrath or hatred. The source of their identity is jealousy--] Toluene. [They feel self-satisfied looking at those below, and feel revolted looking at those above.] Toluene. [Within the society of anonymity, they are beat up in stark nakedness. The first cue that will cause a mass society to degenerate is jealousy. Those who are involved are unaware of their involvement. They are creatures who will destroy not only themselves, but also everything else.] Toluene. [Eventually, they lose the essence and reality-- they can do nothing more than looking despising others...] Toluene. [They can merely keep despising others... They can merely keep nitpicking others...] Toluene. [Their selves and the world are painted over and consolidated with lies. The truth..., just where might it be...? Perhaps even truth itself has become nothing more than poison.] Does this song have a meaning? The meaning to this verse... Does this song have a meaning? The meaning to this verse... does exist. ***** ***** [They conduct themselves based on their vanity and selfishness.] ***** ***** [On the inside, do they already know it s evil to do so?] ***** ***** [It s a way for them merely to hide their own weakness--] ***** ***** [They are creatures filled with jealousy instead of earnest anger.] ***** ***** [Do they intend to remain trapped in the cycle of hypocrisy and jealousy?] ***** ***** [What must they do to break out of it?] ***** ***** [What is right?] ***** ***** [In a world filled with vanity, jealousy, grudge, and self-interest...] [Are they going to break down without ever understanding anything?] Romaji lyrics (transliterated by animeyay)： [netami kurutta hito narazaru mono no monogatari--. sono hajimari e, youkoso. gizen ni yoru mono--dokuzen senbou yori kuru mono--shittoshin] [toruen--mechirubenzen houkouzoku tanka-suiso ni zoku suru yuuki kagoubutsu shiseishiki C6H5CH3 benzen no suiso genshi hitotsu o mechiru-ki de chikan jouon de kihatusei ga aru, inkasei o yuu suru kikenbutsu daishirui daiichi sekiyurui dokubutsu oyobi gekibutsu torishimarihou ni yori gekibutsu ni shitei] [ikitsuku saki wa dokugekibutsu honrai wa hitsuyou to sarenai mono sunawachi, subete o ushinatte iku dake na no da. yagate, jiga mo, hito mo, ichiban daiji na jisonshin sura mo-- choushou no taishou de shika nai. dare ni mo mitomerarezu, mizukara o houkai sasete iku--.] [gizen ni michita jiga kyozou darake no ronri hoka o otoshimeru koto de] toruen [mizukara no houkai moto yori nai, aidentiti C7H8] toruen [hontou no jiga nado, nakatta no da. hito de wa naku, hito to iu mono de shika nakatta. ] toruen [mitomerarezu, jikaku dekizu. saigo ni wa, nani mo nokoranai--.] toruen toruen toruen [subete wa kyosei shougai, haiboku o tsuzukeru no mi.] ***** ***** ***** ***** ***** ***** ***** *** toruen [shosen wa nisemono hontou no ikari, urami o shiranai monotachi. aidentiti no gensen wa, netami--] toruen [shita ni mieru mono o mite etsu ni hairu shita ni mieru mono o mite hankan o idaku] toruen [tokumei shakai ni oite wa mukidashi no mama butsukerareru taishuu shakai ga taihai shite iku saisho no kikkake wa netami toujisha-domo wa, mujikaku na no de aru] jiko dake de naku, subete o houkai saseru dake no mono] toruen [yagate, honshitsu o miushinatte iku-- hoka o mikudasu koto de shika...] toruen [hoka o otoshimeru koto de shika... hoka no ara o sagasu koto de shika...] toruen [uso de nurikatamerareta jibun, sekai. shinjitsu wa..., doko na no ka...? mohaya sono sonzai wa, doku de shika nai no da.] kono uta ni imi wa aru no? kono uta ni imi wa... kono uta ni imi wa aru no? kono uta ni imi wa... aru yo ***** ***** [kyoeishin ya rikoshin nado kara okonawareru] ***** ***** [naimenteki ni aku de aru to shitte iru no ka?] ***** ***** [mizukara no yowasa o kakusu tame dake no shudan--] ***** ***** [sei naru ikari de wa naku, netami yori wakiagaru mono de shika nai.] ***** ***** [gizen to shitto to iu rinne o meguritsuzukeru no ka?] ***** ***** [dou sureba nukedaseru no ka?] ***** ***** [nani ga tadashii no ka?] ***** ***** [kyoei to shitto to shien to shiyoku ni afureta sekai de...] [nani mo wakaranai mama, kowareru dake na no ka?] [Owata-P, OwataP, Garuna]
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ストーリー “Heed my words, for here comes the age of the sword and the axe, the age of the wolfish storm. Here comes the Time of the White Cold and White Light, the Time of Madness and Contempt, Tedd Deiradh, the Time of Ending. And the world will die away slow, frozen in ice and covered with snow…” -- The Prophecy of Ithlinne Aegli aep Aevenien The atrocities of war are only bettered by those of its aftermath, when those unfortunate to have survived are not aware of the ruin and devastation to come. Having barely repulsed the armies of the South, the Northern Kingdoms fell into an unwarranted state of self-awe -- spurning the alliances of yesterday and regaining their forlorn propensity to bicker amongst themselves; they readily level the tips of their swords at each others’ throats in wanton accusations of treason, and all the while the enemy regroups and rejuvenates. And where do you enter this picture, you ask? According to official reports, you’re dead -- killed by the very people you sought to protect during one of the non-humans pogroms. As you can see, my friend, it does not always pay to protect the oppressed -- in particular if your only motivation for doing so is based on moral conscience. It will take more than a nation-wide revolt to dispatch you to the afterlife. But you may be wandering how it is that you suddenly reappeared? This is something you will discover in due course. For the time being, there are more pressing matters in hand -- an organized band of aggressors has somehow found the Witchers’ mountain stronghold of Kaer Morhen and begun its assault in an attempt to appropriate the dangerous knowledge of Witcher elixirs. Your brethren will call upon you to defend your clandestine heritage, for the mass production of such potions would mean nothing less than doom for the common people who take them. So, you will begin an investigation that will lead you to discover both yourself and information that will also prove deadly. I wonder, how soon will you begin to regret returning from the dead? （http //www.thewitcher.com/community/en/game/story.html より引用） ------------------------------------------------------------ ＊意訳です 「よく聞きなさい、剣と斧の時代、荒れ狂う騒乱の時代がやがて訪れるでしょう。 白い冷気、白い光、狂気と侮蔑、Tedd Deiradh、終わりの時が。 世界はゆるやかに死に行き、雪に覆われ、氷に閉ざされるでしょう。」 -- Ithlinne Aegli aep Aevenien の予言 戦後の暴虐によって戦時中の暴虐がようやく鎮められる。 だが、不運にも生き残ってしまった者たちの中には、来るべき破滅と荒廃に気付く者はいない。 北方の王国（人間の国家）は南からの勢力を辛くも駆逐し、その結果、分不相応にも慢心に陥っている。 彼らは自らの傲りから戦時中の同盟を破棄し、さらに人間同士で哀れな小競り合いを始めている。 これという理由もなく反逆罪の疑いを互いに投げかけては、喉元に剣を突き付けている。 そのような慢心が、敵に軍の再編成と復活の猶予を与えているのだった。 公式な調査報告によれば、君（Geralt）は死亡したことになっている。 非人間への迫害から保護しようとして、あなたが探し出したまさにその者（Striga）によって殺されたと。 わかっているだろうが、こういう類の仕事が必ずしも割に合うとは限らない。 とりわけ仕事の動機が道義的な良心のみに基づいているような場合には。 ともあれ、全国規模以上の反乱でも起こらない限り、君が実際に死んでしまうことはない。 でも、どんな風にいきなり登場するのだろう？と君は思うかもしれない。まあそれはいずれわかる。 差し当たって重要なのは、Kaer Morhenにある山砦がどういう訳か侵略者の一味に目を付けられ、 witcher秘伝の霊薬に関する知識を手に入れようと襲撃を受けていることだ。 君は山砦の仲間から、その秘伝の遺産を守るように要請されることになる。 その霊薬が大量生産されれば、一般の人々に甚大な被害を与えかねないからだ。 かくして君は、侵略者の一味による事件の調査に乗り出す。 それは、君自身の発見と命取りになることがいずれ判明するだろう情報の発見へと続く。 命懸けの長い旅の始まりに言うのは恐縮だが、ここに生還してきたことを後悔しないように。
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The HermitはDivination Cardの一種 交換可能アイテム 入手方法 関連リンク The Hermit 必要枚数 9枚 Lifesprig The hermit s only friend is the greenery he can find. 交換可能アイテム 変換先 Lifesprig 入手方法 このカードがドロップするエリア The Broken Bridge (Act 7) • The Causeway • The Vaal City • The Crossroads (Act 7) • The Fellshrine Ruins (Act 7) • The Ashen Fields カード等のドロップ以外の入手方法 アイテム 必要数 備考 The Gambler 5 Stacked Deck 1 関連リンク 英wiki https //pathofexile.gamepedia.com/The_Hermit Divination Card
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Code Geass 12. The Messenger from Kyoto Lelouch, a young outcast prince of Britannia possesses two great powers. One of them is the absolute ability to compel any person to do whatever he commands. The other is the Black Knights his military force assembled with the intent of destroying the Britannian Empire ruled by his father. Veiling his true identity behind the mask and the code name Zero, Lelouch has made his move to avenge his mother s murder and to create a world in which his younger sister Nunnally can find happiness. What would be the final outcome of these actions? At this point, no one can predict. Minister The Japan Liberation Front was nearly wiped out by your Narita operation, viceroy. Now, we re hunting down the survivors, one by one. Cornelia Are you being sarcastic? We re barely pulling our forces back together after that fiasco. Minister No, I, I didn t mean to... Guilford The Occupation Government is responsible for this. They ve done nothing about Area 11 s subways and mining railways. In the ghettoes, they falsify the registries and property deeds as the rebellion spreads unchallenged. Minister Ah, the subway tunnels stretch over the whole country. We can t just fill them all in. We don t have the budget. Guilford The terrorists are using them as their strike bases and escape routes. Minister B,,, But, Prince Clovis instructed us. Ah, he said forcing them would fuel the rebellion giving the Chinese Federation an excuse to attack. Cornelia They ve already got their excuse. Zero is growing stronger and bolder everyday. Darlton Vice-Minister. Internal Affairs has appointed special group of the Elevens to self-govern this area, isn t that right? A group who are called the NAC. Minister Huh? Darlton When we stormed Narita, we looked for the evidence of the NAC s conspiracies. But it was buried in the landslide. Still our suspicions remain high. If we suppress them now... Cornelia Hmm, a group of blue-bloods and plutocrats. Relics of their dismal past. Minister Oh, wait! please! These are just rumors. There s no evidence of that at all. If you suppress them, then the Eleven s economy will certainly collapse. That means no tax revenue to send to the homeland. Also, it s a prime directive of the empire that Numbers should take care of their own kind. Cornelia And what have you done to find the Black Knights? Minister We analyzed the shield machine they left showing Zero was behind the Narita operation. But that s all we ve got. You can t squeeze information out of corpses. Cornelia So you can t catch Zero and you don t want us to hit Kyoto. Do you know the word incompetent, minister? It s for people who can t get results. Kirihara So, the Britannian viceroy has gone this far already. Man With the Liberation Front smashed, the last embers of Japan have died away. Man No, he may be on the run, but Tohdoh is still strong, still fighting. Man Even if that so, I heard he lost his custom Burais. So, there s no hope. Kaguya There is hope. Man Mm? Man The Black Knights? You ve been infatuated with Zero since he rescued Suzaku Kururugi. We even sent him the Guren Mk-II. Teacher And after the defeat at Trafalgar, Elisabeth the third found herself surrounded by revolutionaries in Edinburgh. Shirley Oh, father... Teacher However with the help of Lord Britannia, she s fled to the American colonies now known as our homeland Britannia. Shirley Hmm... Um... H m... Ha... Milly Huh? OK. What s got you so worried. Constipated? Your monthly? Shirley Huh? That s not it. Milly Huh... You re lonely cause Lelouch is gone, aren t you? Shirley Wha... It s more like Kallen is absent the same day he is... again. Milly Oh, so carefree. While the rest of the world grapples with what happened at Narita. Suzaku s been out for two days because of that, too. Shirley I know that! But Lelou and Kallen gone on the same day together. That s serious. Milly He he he! I envy you, Shirley. That s what I love about you. Nina Huh? Shirley Don t make fun of me! Arthur Meow. Milly Then just tell him already, three little words "I like you!". Shirley Uh... Uh... I couldn t. I just couldn t. I mean what if... Milly What if he rejects me, it can ruin our great friendship. Ha ha ha ha ha ha ha ha ha ha! Shirley You don t have to laugh that hard, you know? Milly It s comfortable isn t it? This place now. The way we are together. Shirley That s true. Milly Still we should prepare ourselves a bit. The fact is nothing stays the same forever, you know. Shirley Uh... Milly Oh, forget it. Please don t take me too seriously. If it s bothering you why not you just ask him the next chance you get? So, how do you feel about it on your side? Shirley Huh? Wha... Lelou?! I thought you were absent! Lelouch Nunnally had a little fever this morning and Sayoko was busy. So, I stayed home to help. Shirley Oh really, you don t say. So, is Nunna feeling better now? Lelouch A bit. Madam president, those papers? Milly All right. Make sure you organize all of them by year and class, OK? Lelouch Yeah, I will. You have a talent for ordering people around. Milly He he. And you are a great subordinate. Lelouch Subordinate? Huh, I guess that s what I am. Shirley Oh, madam president! You nearly gave me a heart attack doing that! Huh?! Oh, where is my tickets? HUH!! Lelou! Lelouch What is it? Shirley Ah... Um... Is my dad s letter mixed up with that paperwork? Lelouch Huh? Oh, sorry. Huh? What s wrong? Shirley Ah! Lelou! Lelouch Shirley? C.C. Ah? Stop being so suspicious. That s hardly the case. To me, he is nothing more than a ... Shirley Ah huh huh huh hu... I did it! I actually really did it! So, now what happens? He ll come, right? I mean he didn t say no. Then again... N-n, he is just coming with me to a little concert. So, it s not big thing but still it s a chance. Huh... Thank you, father. Ah? Ohgi Kyoto praised us for using the Guren Mk-II so well. I thought that was encouraging. Kallen But there was the white armor. Tamaki Don t sweat it. It was a tie, right? A tie! Ha-ha-ha-ha-ha! A-ha-ha-ha-ha! Lelouch Why would Shirley just out of the blue? Shirley My dad works where really long away from here. But he likes to send me great staff like this to keep my spirits up, you know? So, I was just wondering... Ohgi Here. Lelouch Hmm? What s this? Ohgi A love letter. Lelouch Oh? From you? Tamaki A-ha-ha-ha-ha! And they say you have no sense of humor. A-ha-ha-ha-ha-ha! Kallen You laugh too much. Ohgi It s an official letter form Kyoto. They urgently request a meeting. Lelouch Is this really such a big deal? Kallen A big deal?! It s Kyoto! Ohgi If they accept us it means funding and support. It could solve our financial crisis. Lelouch Crisis?! Ohgi Ugh...! Lelouch There shouldn t be any problem if you are following the budget I laid out. Ohgi Oh, well... Tamaki Hey! It s not my fault! We re turning into a big organization now! That means new expenses, you know! Kallen Like French dinners for the new recruits so you can show off? Tamaki Hey, you?! Kallen I know where you ve been taking them, big spender? Tamaki Uh-ugh?! You know about it?! Lelouch Huh... We ll put Ohgi in charge of the treasury for now. Tamaki Hold it right there! I m the one that s in charge of the cash! That s my job! Lelouch If you want me to trust you then show me some results. Tamaki Did you actually just say trust a guy who hides his face from his own partners?! Sugiyama Huh? Tamaki How about it Zero, Huh?! Ohgi Hold on... That s a... Kallen Zero is not the problem here. Who cares who he is? He had the skill to outwit Cornelia, didn t he? That s why he is the leader of the Black Knights. Do you really need to know more? Tamaki Gee...! Nunnally Nina? Is that you? If you are not feeling well, then... Nina Oh no. It s nothing. Don t worry about it. Tamaki Huh... So, what do we do? Ohgi I don t know. Minami We were in Naoto s unit. Sugiyama I don t mind about his kid sister Kallen but... Tamaki You were next in line to be leader. Ohgi No one said that at Narita. Inoue Cause Zero practically forced us. Yoshida We are the senior commanders and he keeps secrets from us. Ohgi Huh... Lelouch I ve narrowed it down to twelve possibilities. Now let s see which bets pay off. For that I ll have to meet them face to face... (knock-knock) Lelouch Hm? Who is it? Kallen It s me. Um... I m sorry if I was out of line when I spoke up back there. Lelouch Kallen, tell me. Do you wanna know my identity as well? Kallen Hmm... That girl knows, doesn t she...? Hmm... No, sorry to bother you. Nunnally Lelouch? Lelouch Huh...! Huh... Looks like your fever s gone? Nunnally Maybe I was just a little moody. Lelouch Moody? Nunnally Huh... It just seems to me lately that you ve become a little distant like you have other things weighing on your mind. Lelouch Huh...! Nunnally Huh. Perhaps my body just did this on its own to get your attention. Huh. Lelouch You re wrong. I haven t changed. No matter what, I ll always be at your side, Nunnally. Nunnally So then, can I be a little selfish now? Please hold my hand just a little bit longer. If I fall asleep alone, I m afraid I ll have that dream again. C.C. You are serious? You are asking me for a favor? Lelouch Yes, I got the idea from something that you said. No matter what Kyoto s intentions are I want their power. C.C. Is that what you truly wish for? If it s at the very core of your reason for living then I ll try to help you. Lelouch Then do it. C.C., I need you. C.C. Hmm, I understand. By the way, you forgot something. Lelouch Huh?! I didn t forget! I don t know when I ll be back tonight so I was planning to call her and cancel. C.C. Stick to your contract. Huh? (Pi-Pi-Pi-Pi-Pi) Lelouch It s me. Oh good timing, I wanted to call. You see... Shirley Um... Listen, Lelou? Lelouch Huh? Shirley I know I made a date with you but I may be late. Lelouch Huh... Shirley Sorry, but anyway, I m sure it ll be fine, really. Hmm, but I promise you that I ll be there. Man Please bring your command staff along as for my master s instruction, understood? Lelouch They are patrolling the perimeter in case of any unpleasant contingencies. I ll call them soon. However before I do... Britannian Army Severely damaged corpses should be brought to tent 2. Id [your ?] personal items. Bring remains with identifiable faces to tent 1. Note locations and times. Britannian Army Medical team 2 will arrive [and not tech support ?]. Transport personnel, report to tent 2. Suzaku Was it really her? Did I really see her there? And then... Just forget it. She doesn t show up in any of the data. Lloyd Dug enough bodies out of the landslide, yet? Suzaku Hmm... I d like to continue recovery operation if that s possible. Lloyd Be my guest till it ll out of your system. Considering Princess Cornelia is pleasure to indulge you. Suzaku Hmm... Ah, Lloyd, Zero and the Black Knights what are they trying to do? What do they hope to achieve by sacrificing all these lives? Lloyd They are knights for justice, haven t you heard? Suzaku Is this justice? Lloyd Hey hey, I hope you are not going to start spouting some embarrassing theory about the nature of justice. We are soldiers, after all. Suzaku Huh. Hmm? Cecile Oh Suzaku, I replaced the energy filler for you. Suzaku Ah... OK. Lloyd Cecile. Cecile I checked the units including the purebloods. Lloyd And I was right, wasn t I? Cecile Yes, a radiant surge. Lloyd Rakshata. I never thought she d work with our enemies. Cecile Plus their pilot was extremely skilled. Suzaku s mental status is so unstable now. If we have to fight that Knightmare again... Lloyd You don t think it could win? Against my dear Lancelot? Tamaki This is taking too long. When do we get there? Kallen Ah, could you chill out? You are embarrassing. Tamaki Hm. What the hell? Kallen We are going up? Man Sorry for the inconvenience. The master is waiting for you. Sugiyama Huh...! Tamaki Wow...! Ohgi This is... the Fuji mines? Tamaki That is not possible. There s no way we could be here. Kallen It has to be Mt.Fuji! There is only one mountain like this. Tamaki That means the Sakuradite is right below us? The damn treasure that caused this whole war. You know, what they do to intruders here? Execute them! Ohgi The power of which is all the way up to here? Kyoto group is amazing. Kirihara It s repulsive. Mount Fuji, a sacred mountain once known for its clear water and quiet beauty. Now it is bent to the empire s will, a place of hideous violation. Our reflection of what Japan has become. It [plings ?] me so. I apologize for not showing my face. But, Zero, your face is hidden as well. Unfortunately, I cannot allow this. To trust you, I must know who you are. Therefore you will show me your face. Kallen Please wait! Zero has given us power and victory. That should be... Kirihara Silence! Now which of you is Ohgi? Ohgi Huh...! That s me. Kirihara You will remove Zero s mask. Kallen Ohgi! Ohgi I m sorry Zero, but we need a reason to put our faith in you, too. So help us to put our trust in you. Tamaki Huh?! A woman? Ohgi It can t be! Kallen It s not! This isn t Zero. I saw her before. She was with Zero after Narita. Kirihara You there, girl, is this true? C.C. It is. Kirihara So you are not Japanese? C.C. Correct, clan chief of Kyoto, Taizo Kirihara. Man Huh!? Anyone who can identify him must die. Man Especially one who is not Japanese! Tamaki Hey, hold on! I m not part of this! Lelouch You are soft and your methods and thinking are out dated. That is why you ll never win! Kallen Zero? Man When did you...? Huh! Man Hold on! He can fire at us with that remote. Everyone, stay back! Don t make a move! Lelouch Taizo Kirihara, founder of Kirihara Industry which has monopoly on Sakuradite mine, formerly a key backer of the Kururugi regime. However, when Japan fell, you dodged the tribunals by collaborating with the colonial rulers. Commonly known as Kirihara the traitor. In reality, you are one of the leaders of the Six Houses Of Kyoto, who support resistance groups throughout Japan, a double agent. How cliche. Man Show some respect, you swine! Kirihara Stop! Lelouch N-Hu-Hu-Hu... It s as you guessed though, I am not Japanese! Tamaki Is he serious? No wonder he never showed his face. Kirihara If you are not Japanese, why do you fight for Japan? What is it that you want? Lelouch The destruction of Britannia. Kirihara And so, do you believe that this is possible, that you can do it? Lelouch I can, because I must. I have reasons which compel me execrably. I m glad I m dealing with you. Kirihara You... Lelouch It s been a long time, Lord Kirihara. Kirihara Is it really you? It s eight years since I finally received you as a hostage. Lelouch Yes. And I appreciate you taking care of me then. Kirihara If I hadn t come tonight, were you planning to take our messengers as hostages? Lelouch Not at all. I came to ask for your help. That s all I m seeking from you. Kirihara So the flower planted eight years ago has finally bloomed. Tamaki I can t see him! Kirihara Ohgi! Ohgi Yes! Kirihara This man is a true model enemy of Britannia. His face must remain hidden for vital reasons. I urge you to follow Zero. And I guarantee that if you do, we will assist you generously with intelligence and strategic support. Ohgi We thank you. Lelouch I am grateful, Lord Kirihara. Kirihara Are you embarking on the path of blood? Lelouch Indeed, if that is my destiny. Villetta Yes, the spelling of Fenette matches this one. I m afraid this is him. I m sorry you had to learn about it like this. Shirley s mother It s all right... Man Can you please identify the body? Lelouch Of course, it s too late already. Anyway, things are finally moving forward. Now the Black Knights will operate as I envisioned. Lelouch I m sorry I was late. I thought you d already be back home by now. Anyway, never mind that. Come on, let s go some place to get out of the rain now. Shirley Lelou, tell me. Zero, he fights for the weak, doesn t he? Lelouch What? Yeah, well, that s what he says. Shirley Then, then... why did he kill my father? You know my father. He was so gentle. He never ever hurt me. He didn t do anything wrong. But he was buried alive. He couldn t... breath... why... why did my father have to die? I... don t want this. No... Please, Lelou... help me. Yes, I understand my actions have consequences. I know that now. So why? It d be so easy to vanish from the stage, just stop being Zero. If I can keep Kirihara quiet, I can go back to be merely Lelouch Lamperouge. But, even so!
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Battle vs Chess 項目数：36 総ポイント：1000 難易度： ※PC版は別実績 Fighter Win a classic chess game by checkmate 15 Bewildered Get stalemated 15 Defender Complete 5 order mission 15 Champion Complete 10 order mission 15 Hero Complete 15 order mission 15 Imp Complete 5 chaos mission 15 Demon Complete 10 chaos mission 15 Fiend Lord Complete 15 chaos mission 15 Slayer Capture 100 pieces 15 Sacrifice Win a game, having 2 pieces less than the opponent 15 Annihilator Capture all enemy pieces and then checkmate the king 15 Rising Star Win online game against the player with a higher rating 15 Sprinter Win a game in less that 5 minutes 15 Strategist Win a game in less that 30 moves 15 Promoter Promote a pawn into all major pieces 15 Revolutionist Make a check by Castling 15 Catcher Capture a pawn En passant 15 Reckless Move a King to the opposite side of the board 15 Persecutor Make check 10 times in one game 15 Torturer Make check by 5 different pieces in one game 15 Explorer Win one game in each of the game modes 30 Immortal Capture 5 pieces with one piece in one game 30 God s Beloved Promote 3 pawns in one game 30 Gambler Complete 20 levels of the Mana Gathering challenge 30 Sage Complete all puzzles 30 Universal Soldier Make checkmate by all pieces 30 Adventurer Play 100 games 30 Victor Get bronze medal in all missions 30 Vanquisher Get silver medal in all missions 30 Overmind Win 20 games online 30 Traveler Make 1000 turns 30 Perfectionist Take gold in all missions 90 Grandmaster Achieve online rating 1200 90 Renaissance Man Complete all challenges, puzzles and missions 90 Fritz Killer Win an AI opponent with the difficulty of 6 in a classic chess match 90 Maximalist Get all achievements 10
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ACTE III 10. Duo （Un appartement du palais） ▼ALPHONSE▲ N'espérez pas me fuir, Je ne vous quitte pas. ▼ELVIRE▲ Non, laissez-moi, n'arrêtez point mes pas. ▼ALPHONSE▲ Ecoutez, je vous en supplie Que le noeud qui nous lie M'obtienne au moins cette faveur! ▼ELVIRE▲ Non, jamais! Vous m'avez trahie, Et votre perfidie A porté la mort dans mon coeur. ▼ALPHONSE▲ Quelques torts dont je sois coupable Je fléchirais votre rigueur, Si du désespoir qui m'accable Vous pouviez connaître l'horreur. ▼ELVIRE▲ Epargnez-vous un tel parjure De moi vous n'entendrez, hélas! Aucun reproche, aucun murmure; Je pars. ▼ALPHONSE▲ Elvire! ▼ELVIRE▲ Je pars, n'arrêtez point mes pas! Ah! je n'accuse que moi-même; De mon amour je dois rougir. Pour toujours, hélas! je vous aime! Et pour toujours je dois vous fuir. ▼ALPHONSE▲ En horreur á moi-même, Il ne me reste qu'à mourir. J'ai fait le malheur De tout ce que j'aime. Il ne me reste qu'à mourir. ▼ELVIRE▲ Ah! je n'accuse que moi-même; De mon amour je dois rougir. Pour toujours, hélas! je vous aime! Et pour toujours je dois vous fuir. ▼ALPHONSE▲ Elvire, si je fus coupable, Du moins ce n'est pas envers toi. ▼ELVIRE▲ Fuyez, Alphonse, épargnez-moi; Cessez un entretien coupable. ▼ALPHONSE▲ Vois le désespoir qui m'accable Ah! jette un seul regard sur moi! ▼ELVIRE▲ Non, vous avez brisé nos chaînes. ▼ALPHONSE▲ Vois ton amant, vois ton époux. ▼ELVIRE▲ Lui seul cause toutes mes peines. ▼ALPHONSE▲ Il va mourir à tes genoux. ▼ELVIRE▲ Alphonse! ▼ALPHONSE▲ Il va mourir à tes genoux! ▼ELVIRE▲ Alphonse! ▼ALPHONSE▲ Elvire! ▼ELVIRE▲ Je pardonne. Mon faible coeur parle pour toi. ▼ALPHONSE▲ Au bonheur mon coeur s'abandonne! ▼ELVIRE▲ Et je m'abandonne à ta foi. ▼ALPHONSE, ELVIRE▲ Ô moment plein de charmes! T Tous nos maux sont finis; Je sens couler des larmes De mes yeux attendris. ▼ELVIRE▲ Mais cette jeune infortunée, Je dois veiller sur son destin. Alphonse, ordonnez que soudain Près de sa souveraine elle soit amenée. ▼ALPHONSE▲ Vos désirs seront satisfaits. （A Selva qui entre） Courez, soldats, cherchez la fugitive Qui fut votre captive Et qu'elle soit par vous conduite en ce palais （Ils sortent.） 11. Choeur （La grande place du marché de Naples. On voit arriver, en dansant, des jeunes filles portant sur leurs têtes des corbeilles de fleurs ou de fruits; des pêcheurs et des paysans arrivent apportant leurs denrées. Le marché s'ouvre les fleurs et les fruits s'élèvent en étage de chaque côté. Pendant que des jeunes filles et des jeunes garçons se livrent à la danse, des habitants de Naples, suivis de leurs intendants ou de leurs porteurs passent dans les allées du marché, marchandent, achètent. Plusieurs lazzaroni, à qui ils donnent des pièces de monnaie ou des paniers de fruits, témoignent leur joie et se joignent aux danseurs. Pendant ce temps, Fenella est entrée avec celles de ses compagnes qu'on a vues au second acte; elles se placent sur le devant du théâtre, et ont devant elles des paniers de fruits. Fenella est triste, pensive et ne prend part à ce qui se passe autour d'elle; de temps en temps seulement elle se lève et regarde si elle ne voit pas apparaître son frère ou quelqu'un de la cour.） ▼LE CHOEUR▲ Au marché qui vient de s'ouvrir, Venez, hâtez-vous d'accourir Voilà des fleurs, voilà des fruits, Raisins vermeils, limons exquis, Oranges fines de Méta, Rosolio, vin de Somma, Nouveaux cédrats de Portici, Venez à moi, venez ici C'est moi qui veux vous les offrir Vers moi pressez-vous d'accourir. ▼PÊCHEURS▲ Venez, adressez-vous au pêcheur de Mysène. ▼MARCHANDES DE FRUITS▲ Je vends des fruits au vice-roi. ▼MARCHANDES DE FLEURS▲ Et moi des bouquets à la reine. 12. Final （Selva entre avec plusieurs soldats qui se dispersent dans le marché. Fenella aperçoit Selva. Trompée par son uniforme, elle le regarde d'abord avec curiosité mais elle le reconnaît, fait un geste d'effroi, et tâche de lui cacher son visage.） ▼SELVA▲ （Pendant que la danse continue, il parcourt les différents groupes des jeunes filles et les regarde attentivement; arrivé près de Fenella, il fait un geste de surprise.） Non, je ne me trompe pas. C'est bien elle!… à moi, soldats! Qu'à l'instant même on me suive! （Fenella se lève épouvantée et court se réfugier au milieu de ses campagnes; par ses gestes elle les supplie de la protéger.） ▼LE CHOEUR DE FEMMES▲ Ô ciel! l'innocente captive! On en veut à ses jours Qu'a-t-elle fait? ▼SELVA ET LES SOLDATS▲ Qu'à l'instant on nous suive! （On entraîne Fenella.） ▼LE CHOEUR DE FEMMES▲ Ah! contre nos tyrans il n'est point de recours? Qui viendra donc à son secours? ▼SELVA, SOLDATS▲ Point de murmure, il y va de nos jours! （Selva et les soldats sont sur le point d'emmener Fenella quand au milieu du marché paraissent Masaniello, Pietro et quelques pêcheurs.） ▼MASANIELLO▲ Où la conduisez-vous? ▼SELVA▲ Que t'importe? ▼MASANIELLO▲ C'est ma soeur ▼SELVA▲ Tais-toi! c'est par l'ordre du vice-roi. ▼MASANIELLO▲ （tirant son poignard） Crains la fureur qui me transporte. ▼SELVA▲ （faisant signe à un soldat） Arrache-lui ce fer dont il ose s'armer ▼MASANIELLO▲ （poignardant le soldat） Levez-vous, compagnons! Ils veulent m'immoler! （Tous les paysans, qui étaient restés assis, se lèvent en tirant leurs armes, et en un instant Selva et ses soldats sont entourés et désarmés.） ▼LE CHOEUR▲ Courons à la vengeance! Des armes, des flambeaux! Et que notre vaillance Mette un terme à nos maux! （Ils agitent leurs armes, et vont pour sortir.） Marchons, marchons! ▼MASANIELLO▲ （les arrêtant） Invoquons du Très-Haut La faveur tutélaire A genoux, guerriers, à genoux! Dieu nous juge que sa colère Aux combats marche devant nous! （Le peuple se prosterne.） ▼MASANIELLO, LE CHOEUR▲ Saint bienheureux, dont la divine image De nos enfants protège les berceaux, Toi qui nous rends la force et le courage, Toi qui soutiens le pauvre en ses travaux, Tu nous vois tous à tes genoux! Sois avec nous, protège-nous! Saint bienheureux, dont la divine image De nos enfants protège les berceaux, Tu nous vois tous à tes genoux! Sois avec nous, protège-nous! Fais aujourd'hui pour nous Des miracles nouveaux. （On entend le roulement du tambour.） ▼CHOEUR GÉNÉRAL▲ Marchons! des armes! des flambeaux! etc. Courons à la vengeance! Des armes, des flambeaux! Et que notre vaillance Mette un terme à nos maux! （Ils se partagent des armes et courent des torches à la main; les femmes les excitent à la lueur de l'incendie.） ACTE III 10. Duo Un appartement du palais ALPHONSE N'espérez pas me fuir, Je ne vous quitte pas. ELVIRE Non, laissez-moi, n'arrêtez point mes pas. ALPHONSE Ecoutez, je vous en supplie Que le noeud qui nous lie M'obtienne au moins cette faveur! ELVIRE Non, jamais! Vous m'avez trahie, Et votre perfidie A porté la mort dans mon coeur. ALPHONSE Quelques torts dont je sois coupable Je fléchirais votre rigueur, Si du désespoir qui m'accable Vous pouviez connaître l'horreur. ELVIRE Epargnez-vous un tel parjure De moi vous n'entendrez, hélas! Aucun reproche, aucun murmure; Je pars. ALPHONSE Elvire! ELVIRE Je pars, n'arrêtez point mes pas! Ah! je n'accuse que moi-même; De mon amour je dois rougir. Pour toujours, hélas! je vous aime! Et pour toujours je dois vous fuir. ALPHONSE En horreur á moi-même, Il ne me reste qu'à mourir. J'ai fait le malheur De tout ce que j'aime. Il ne me reste qu'à mourir. ELVIRE Ah! je n'accuse que moi-même; De mon amour je dois rougir. Pour toujours, hélas! je vous aime! Et pour toujours je dois vous fuir. ALPHONSE Elvire, si je fus coupable, Du moins ce n'est pas envers toi. ELVIRE Fuyez, Alphonse, épargnez-moi; Cessez un entretien coupable. ALPHONSE Vois le désespoir qui m'accable Ah! jette un seul regard sur moi! ELVIRE Non, vous avez brisé nos chaînes. ALPHONSE Vois ton amant, vois ton époux. ELVIRE Lui seul cause toutes mes peines. ALPHONSE Il va mourir à tes genoux. ELVIRE Alphonse! ALPHONSE Il va mourir à tes genoux! ELVIRE Alphonse! ALPHONSE Elvire! ELVIRE Je pardonne. Mon faible coeur parle pour toi. ALPHONSE Au bonheur mon coeur s'abandonne! ELVIRE Et je m'abandonne à ta foi. ALPHONSE, ELVIRE Ô moment plein de charmes! T Tous nos maux sont finis; Je sens couler des larmes De mes yeux attendris. ELVIRE Mais cette jeune infortunée, Je dois veiller sur son destin. Alphonse, ordonnez que soudain Près de sa souveraine elle soit amenée. ALPHONSE Vos désirs seront satisfaits. A Selva qui entre Courez, soldats, cherchez la fugitive Qui fut votre captive Et qu'elle soit par vous conduite en ce palais Ils sortent. 11. Choeur La grande place du marché de Naples. On voit arriver, en dansant, des jeunes filles portant sur leurs têtes des corbeilles de fleurs ou de fruits; des pêcheurs et des paysans arrivent apportant leurs denrées. Le marché s'ouvre les fleurs et les fruits s'élèvent en étage de chaque côté. Pendant que des jeunes filles et des jeunes garçons se livrent à la danse, des habitants de Naples, suivis de leurs intendants ou de leurs porteurs passent dans les allées du marché, marchandent, achètent. Plusieurs lazzaroni, à qui ils donnent des pièces de monnaie ou des paniers de fruits, témoignent leur joie et se joignent aux danseurs. Pendant ce temps, Fenella est entrée avec celles de ses compagnes qu'on a vues au second acte; elles se placent sur le devant du théâtre, et ont devant elles des paniers de fruits. Fenella est triste, pensive et ne prend part à ce qui se passe autour d'elle; de temps en temps seulement elle se lève et regarde si elle ne voit pas apparaître son frère ou quelqu'un de la cour. LE CHOEUR Au marché qui vient de s'ouvrir, Venez, hâtez-vous d'accourir Voilà des fleurs, voilà des fruits, Raisins vermeils, limons exquis, Oranges fines de Méta, Rosolio, vin de Somma, Nouveaux cédrats de Portici, Venez à moi, venez ici C'est moi qui veux vous les offrir Vers moi pressez-vous d'accourir. PÊCHEURS Venez, adressez-vous au pêcheur de Mysène. MARCHANDES DE FRUITS Je vends des fruits au vice-roi. MARCHANDES DE FLEURS Et moi des bouquets à la reine. 12. Final Selva entre avec plusieurs soldats qui se dispersent dans le marché. Fenella aperçoit Selva. Trompée par son uniforme, elle le regarde d'abord avec curiosité mais elle le reconnaît, fait un geste d'effroi, et tâche de lui cacher son visage. SELVA Pendant que la danse continue, il parcourt les différents groupes des jeunes filles et les regarde attentivement; arrivé près de Fenella, il fait un geste de surprise. Non, je ne me trompe pas. C'est bien elle!… à moi, soldats! Qu'à l'instant même on me suive! Fenella se lève épouvantée et court se réfugier au milieu de ses campagnes; par ses gestes elle les supplie de la protéger. LE CHOEUR DE FEMMES Ô ciel! l'innocente captive! On en veut à ses jours Qu'a-t-elle fait? SELVA ET LES SOLDATS Qu'à l'instant on nous suive! On entraîne Fenella. LE CHOEUR DE FEMMES Ah! contre nos tyrans il n'est point de recours? Qui viendra donc à son secours? SELVA, SOLDATS Point de murmure, il y va de nos jours! Selva et les soldats sont sur le point d'emmener Fenella quand au milieu du marché paraissent Masaniello, Pietro et quelques pêcheurs. MASANIELLO Où la conduisez-vous? SELVA Que t'importe? MASANIELLO C'est ma soeur SELVA Tais-toi! c'est par l'ordre du vice-roi. MASANIELLO tirant son poignard Crains la fureur qui me transporte. SELVA faisant signe à un soldat Arrache-lui ce fer dont il ose s'armer MASANIELLO poignardant le soldat Levez-vous, compagnons! Ils veulent m'immoler! Tous les paysans, qui étaient restés assis, se lèvent en tirant leurs armes, et en un instant Selva et ses soldats sont entourés et désarmés. LE CHOEUR Courons à la vengeance! Des armes, des flambeaux! Et que notre vaillance Mette un terme à nos maux! Ils agitent leurs armes, et vont pour sortir. Marchons, marchons! MASANIELLO les arrêtant Invoquons du Très-Haut La faveur tutélaire A genoux, guerriers, à genoux! Dieu nous juge que sa colère Aux combats marche devant nous! Le peuple se prosterne. MASANIELLO, LE CHOEUR Saint bienheureux, dont la divine image De nos enfants protège les berceaux, Toi qui nous rends la force et le courage, Toi qui soutiens le pauvre en ses travaux, Tu nous vois tous à tes genoux! Sois avec nous, protège-nous! Saint bienheureux, dont la divine image De nos enfants protège les berceaux, Tu nous vois tous à tes genoux! Sois avec nous, protège-nous! Fais aujourd'hui pour nous Des miracles nouveaux. On entend le roulement du tambour. CHOEUR GÉNÉRAL Marchons! des armes! des flambeaux! etc. Courons à la vengeance! Des armes, des flambeaux! Et que notre vaillance Mette un terme à nos maux! Ils se partagent des armes et courent des torches à la main; les femmes les excitent à la lueur de l'incendie. Auber,François/La Muette de Portici/IV